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CULTURE FEATURES KALA MOVIES QFOLK

Out of the Closet With Female Rapper JenRo

Jen Ro’s video CLOSET opens the film weekend Friday, Oct. 5

JenRo is an out, proud female rapper.

If that sounds like that might be unusual and downright tough in the rough and tumble world of the rap music business, it is. But don’t tell her that. JenRo is just doing what comes naturally, making music, something she has done her entire life.

JenRO’s first time rapping on stage was at the age of 10 years old. She’s never stopped.

Today, JenRO has released four independent albums under her own successful indie label RO Records. She has toured numerous cities across the country with a dedicated and growing fan base that follow her every beat. Her music videos have been featured on the lgbt-focused network, LOGO, along with a documentary she is featured in, “Pick up the Mic.”

But The Astoria Queer Film Weekend will be one of the only places to see her new music video, “Closet.” The music video details the struggles JenRo faced after she came out as a lesbian and what many might see as a very young age. HipFish spoke to JenRo about her latest project and here is what she had to say:

JenRo, where did you grow up?
I was born and raised on the West Coast in the Bay Area of California.

When did you come out?
When I was 13, in 7th grade. Pretty damn young, but I was proud and it made me who I am.

When did you get involved with music?
I grew up around music all my life. My dad was a DJ and my older sister is a musician. I started playing drums for jazz band in 6th grade until high school. Got my first beat machine when i was 15 and been writing music at young age. I’ve been involved in music dam near all my life.

Did you ever get bullied as a kid?
I never really got bullied, but I was more like the bully. I had a lot of anger when I was young and just wanted to punk everyone, including the boys. It was fun to me back then, but I look back and found better ways to take out aggression,

Do you find it difficult to be a queer musician?
Not really, because I accept myself for whom I am. That’s where it has to start: within yourself. God gave me this gift to share with the world.

Why did you make “Closet”?
I made it to share with everyone my experience on coming out and to let people out there who haven’t came out, that they are not alone.

How personal is this music video to you?
Closet is very personal; coming out is a big deal when you’re young and finding yourself. So I wrote this with my heart and people have told me that I have changed their life.

What are your hopes for “Closet”?
I want it to influence those who may feel alone in this world. I want them to know that I went through a similar situation growing up.

Would you like to make more films/videos that deal with subject matter such as bullying?
Most definitely. I have done some other bullying PSA with youth and plan to do more,

What is the message that you would like young kids to learn from your video?
Don’t be afraid to be who you are. Don’t be afraid to be different and learn to love yourself no matter what.

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CULTURE FEATURES KALA MOVIES QFOLK

In The Garden With The Marble Faun

Filmmakers Jason Hay and Steve Pelizza (left to right) at the Maysles Brother’s Theater in NYC.

The Astoria Queer Film Weekend will be the West Coast premiere of The Marble Faun of Grey Gardens.

There are very few documentary films as worshiped (especially by gay men) and analyzed (specifically by film buffs and critics) as the 1975 documentary Grey Gardens.

This is the true story of two very quirky and reclusive socialites/hoarders (much like Astoria’s own Flavel family) who also just so happened to be relatives of a First Lady named “Jackie.” The lives of the these two “Edies,” as told by acclaimed documentary filmmakers David and Albert Maysles, have gone on to influence film, fashion and pop culture. Everyone from photographer Bruce Weber to director Gus Van Sant have found inspiration in this film. An instant art house classic The Beales; story has been adapted for the stage and as an Emmy-award winning feature for television.

This seminal documentary may focus on the story of a quirky mother and daughter, but within that tall tale, filmmaker Jason Hay was intrigued by another person in that “cast,” a particular character who he believed might be worthy of a documentary film of his own: Jerry Torre, aka “The Marble Faun.”

“I had come to the end of my personal research of Grey Gardens, and it stood out that there was this really missing story about Jerry,” says Hay, who lives and works in Portland, Oregon. “Not much was known about his life before or after. With very few living links to Grey Gardens, I wanted to help fill in more of the story. What we found was that the original documentary wasn’t even the most amazing part of his life, and the film grew and developed from there.”

Torre, a native New Yorker born and raised in Brooklyn, was given the nickname “The Marble Faun” by Edith “Little Edie” Bouvier Beale. He is now a New York-based sculptor and spends his time pursuing his lifelong ambition, carving stone at the Art Students of League of New York.

“Not only does Jerry have a phenomenal story to tell, but he is also an enthralling raconteur,” says Hay. “His story unfolds as a classic American tale. A compromising childhood, then a dash for freedom leading him indirectly to Grey Gardens, a formative event in his life. Later awakening to his sexuality in the 1970′s in New York City, going on to travel in Europe and the Middle East under unique circumstances, and sadly falling into some of the darker passions in life. Eventually pulling himself up and dusting himself off, he decides to heed a lifelong call to carve stone and discovers his love for the craft. Jerry Torre’s sculptures help free him, and he fully develops into the beloved individual he is today.”

So how did Hay initially track down The Marble Faun?

“After researching where to find Jerry, I connected with him through email and he then reached out by phone,” says Hay. “We met up in New York to discuss the project I had in mind. Shortly after, I met up with a long-time friend, Steve Pelizza, and we started working on the film together.”

The real two Edies and Jerry Torre the “Marble Faun.”

Filming of “The Marble Faun of Grey Gardens” first stared in 2009. Both Pelizza and Hay were living in New York City at the time and shooting as much as possible. “It is 100-percent natural with no second takes. The cinema verite style is as much of a tribute to the original documentary by the Maysles, as it is a story about Jerry. Since this was our first film, everyone, including Jerry, was really involved with every aspect.”

This includes filling in the blanks left out in the original documentary.

Says Hay: “The nature of Jerry’s stories at first was Grey Gardens focused. As we went on, he got comfortable that we were telling his whole story and topics got a lot more personal. He was very forthcoming about being a runaway child, his troubles with addictions, and medical concerns. Very little was left out.”

According to Hay, from a cinematic standpoint, Pelizza developed a slow and methodical way of dealing with the camera and Jerry as a subject. This method worked well for both the subject and the filmmakers.

“It lends well to what we encountered; Jerry, the mansion, the stonework. Taking a careful, close look at Jerry’s many facets, the viewer is invited to explore all of these stories, instead of being overwhelmed by the whole picture at once” says Hay. “We shot 30 hours of film over the course of a year. There were a lot of sculptures completed and filmed during the time. We could do a whole documentary about his 300-pound marble sculptures.”

After returning to Oregon from the Maysles Institute, in New York’s Harlem neighborhood, where they first premiered this film, Hay and Aggregate Pictures’ main focus is getting through the final stages of production.

“This story is far from being just about Grey Gardens. Jerry’s story encompasses many personal issues of social relevance, making him very identifiable. It also makes for an engrossing film. To that end, we are getting it seen at festivals, such as the one in Astoria, which will be the West Coast premier,” says Hay. “The final goal being theatre and DVD releases.”

And did Torres get under their skin, much like the Beales did for the Maysles brothers?

“Jerry impacted both Steve’s and my life incredibly,” says Hayes. “We formed a life long friendship, working together for 3 years. During the whole process, we knew that we were making a friend as well as a movie.”

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FEATURES QFOLK

How Basic Rights Oregon and rural campaigns across the state are building a majority for marriage equality

“This is an amazing time in history for the Pacific Northwest and the cause of equality,” say Jeana Frazzini, the Executive Director of the statewide LGBT organization, Basic Rights Oregon.  “For the first time ever, a sitting president has endorsed the freedom to marry, support is spreading across Oregon as we expand our majority for marriage, and Washington voters will go to the polls in November to decide whether to uphold legislation passed this year granting the freedom to marry to gay and lesbian couples.”

Basic Rights Oregon’s education campaign, Frazzini says, has led to a double-digit increase in support for marriage equality in Oregon.  “Each day, more and more Oregonians are looking into their hearts and deciding that treating others as you wish to be treated includes extending marriage to all caring and committed couples.”

The Astoria-based Clatsop County Marriage Equality Project, in over a year and half’s efforts, collected over 500 signatures in support of a marriage equality bill, setting up tables in numerous locations and events such as the Astoria Sunday Market, and Second Saturday Art Walk. “The response was overwhelmingly positive,” says committee member Dinah Urell, and furthers, “the group did a lot of outreach work to make it happen and the results were inspiring – so many people who care about their LGBT family member’s health and welfare.”

But despite these national and local successes, the effort to win the freedom to marry in Oregon—and across the country—is not a slam-dunk.

While more Americans are becoming comfortable with the idea of allowing civil marriage for gay and lesbian couples—some national polls say support is now over 50-percent—no state has yet to pass marriage equality at the ballot.  Every state that has enacted marriage for same-sex couples so far went through their legislature or courts.

That’s simply not an option in Oregon. Because voters here passed Measure 36 in 2004, our constitution bans same sex marriage. The legislature cannot amend the constitution on its own, and courts have refused to take up the case, so it will take another vote of the people to remove the ban.

Basic Rights Oregon made the hard decision last fall to continue building support for the freedom to marry rather than going to the ballot in 2012. A few months later, voters in North Carolina approved a measure banning gay and lesbian couples in that state from civil marriage. And just over a month ago, marriage equality opponents in Washington gathered enough signatures to force a vote on the state’s recent freedom to marry legislation.

“Every day without the freedom to marry is hard,” says Frazzini. “But going to the ballot before we are confident we can win would be devastating. We heard overwhelmingly from our supporters this past fall that we should continue and deepen that education work to build a majority for marriage before heading to the ballot, as early as 2014.”

“I think it was the right decision to wait,” says Jeanne St. John, President of the Oregon Central Coast Chapter of Parents, Families, & Friends of Lesbians and Gays (PFLAG). “As we have more conversations, we’re building more support across the state.”

President Obama’s recent public announcement, in which he came out in support of same-sex marriage, makes him certainly the most high-profile person that has changed their mind, but he’s not alone. All across Oregon and the nation, people are changing their hearts and minds as they come to realize that treating others as you wish to be treated includes allowing civil marriage for caring and committed same-sex couples.

“Three years ago, when BRO started doing events (in Lincoln County) around it, we had a good turn-out, but now we see much greater support for marriage equality,” says St. John.  She and others continue to collect pledges in support of marriage equality at Newport’s Saturday Market and other venues. “We now have seven welcoming churches that are also collecting pledges and last summer, we published an ad in the local paper that had the names of 400 residents of Lincoln County who supported the freedom to marry. We turned that into a poster that was displayed all over the county.”

While Oregon does not have a measure at the ballot this year, supporting Washington and other states is important to supporters of the freedom to marry in Oregon and across the country.  “With each state victory, we build a climate that empowers elected officials, judges and voters across this country to look into their hearts and decide to support the freedom for all caring and committed couples to marry,” says Frazzini. “That’s why we’re spending this year expanding support for the freedom to marry.”

According to Basic Rights Oregon, it is not enough to win marriage on the state level.  It is also important to overturn the Defense of Marriage Act at the national level. DOMA prevents same sex couples (even in states with marriage equality) from accessing any federal marriage rights. Winning at the federal level will not provide freedom to marry in Oregon until we change our state laws, and winning in Oregon will not provide Oregon couples with any federal recognition until DOMA is gone. It is necessary to do both—win in Oregon and overturn DOMA—and Basic Rights Oregon is making strides toward doing just that.

“Basic Rights Oregon is currently engaged in an ongoing, nationally-recognized education campaign to build support for the freedom to marry in Oregon,” says Frazzini. “We’re committed to having a dialogue with our friends, family and neighbors and, ultimately, winning the freedom to marry as early as 2014.”

BRO has been traveling Oregon, hosting a series of community conversations about marriage and working to expand community support for the freedom to marry.  Their mantra is: “One person at a time, one conversation at a time…expanding the majority for marriage in Oregon.”

BRO kicked off the summer with a marriage road trip. Field staff traveled the state, meeting with community-based volunteers about how to expand the majority for marriage in Oregon. In May and June alone, Basic Rights Oregon staff held community conversations in: Ashland, Astoria, Grants Pass, Klamath Falls, Newport, Eugene, Corvallis, Pendleton, La Grande, and Bend. One of those community conversations was held in Astoria on June 2nd.

“Basic Rights Oregon has met with folks in towns from Ashland to Pendleton to talk about how they are working to build a majority for marriage in their community and how to talk to our friends and neighbors about why marriage matters,” says Basic Rights Oregon Field Organizer Mike Grigsby. “We had a great meeting in Astoria…where we heard from local community members about how they’re working one conversation at a time to expand support for the freedom to marry.”

And what is the most important message that Grigsby wants to deliver? “My advice to anyone who wants to win the freedom to marry in Oregon is to talk to the people in your life about why marriage matters to all caring and committed couples. Many of the people we talk to across Oregon are slowly reconsidering their position on marriage equality as they talk to gay and lesbian couples they know.”

One of those couples having those conversations is from Astoria. Mindy Stokes and Katie Rathmell, who were present at the June 2nd meeting, appreciate the opportunity to discuss the issue with those in and outside their community.

“I think we are having the same conversation in rural areas as people are in bigger cities like Portland,” says Stokes. “We are in it for the same reason, to win over hearts and minds.”

Stokes said what she personally realized from the meeting was that some people like President Obama, go through an actual process before making up their mind about this issue.

“For some (undecided voters), marriage is something they take for granted,” says Stokes. “It’s something they don’t have to worry about it. It’s like the fact a fish in water doesn’t know its in water. It just swims along. That’s why it might take some people longer to realize we want to marry for similar reasons as other couples – to make a lifelong commitment to the person we love.”

Stokes learned something else from the meeting, something that has had a profound effect on her.  “When we talk to (undecided voters) about civil rights they get turned off,” says Stokes. “But they bond with us when we discuss the issue of ‘love.’ We really do have to win over people’s hearts before we can win over their minds.”

St. John agrees, and can’t wait to get the issue out in front of the voters in the coming months. “We need to get beyond theory and take action. I think people in Lincoln County will support us,” says St. Johns. “I think people here will work hard for it.’

It’s something St. Johns and her partner Kae Bates—both 69-years old they have been together for 30 years—have waited a lifetime for. “I didn’t think I would live long enough to see this but now I know it will absolutely happen,” says St. Johns. “It’s just a matter of time.”